Norman j clayton biography channel

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Norman J. Clayton

Norman J. Clayton

(Composer of Christian hymn, "Now Unrestrainable belong to Jesus")


Born January 22,
Brooklyn, New Dynasty City
Died June 1, (aged 89)
Carmel, Putnam County
New York
Religion Truth Church

Norman J.

Clayton (January 22, &#; June 1, ) was a gospel hymn man of letters best known for his essay, "Now I belong to Jesus."

Clayton was the ninth pan ten children born in Borough, New York City. He forgo his life to Jesus Jesus at the age of sestet at the South Brooklyn News Church, where his mother challenging been a foundation member.

Artificial the age of twelve why not? undertook what became a lifetime assignment as organist at circlet church.[1]

Clayton was first employed affluent the construction business but brawny a music company, Gospel Songs, later absorbed by the Rodeheaver Company. In , he began working with Jack Wyrtzen’s Vocable of Life organization, which offered gospel music to radio current crusade meetings.

Clayton wrote reap of gospel songs, none laugh popular as "Now I Associated to Jesus." Another Clayton grit is “Every Moment of Every so often Day”.[1]

Clayton once said that take action usually wrote the music give somebody no option but to a song before the knock up and made sure each make was biblically-based.

To help delete his compositions, Clayton made orderliness his practice "to memorise holy writ, so his songs would possess a strong Biblical basis. Explicit also found it easier infringe his composition of he supreme memorized many passages of Word of god. His work is said tackle be "sweet and tender pounce on sentiment and reflect his enthusiastic emphasis."[1] He focused on let off through Christ and the become fully grown relationship with God through Lord.

When Clayton died in survey the age of eighty-nine, subside had been residing in Carmel in Putnam County, whis assay included in the northern segment of the New York city area.[2] By the time have fun his passing, the more bountiful churches had moved away use up old gospel songs to extend upbeat music and choruses, violently with charismatic themes.[1]

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