Hans von aachen biography template
Hans von Aachen
For the German circumnavigator, see Maestre Anes.
German painter (1552–1615)
Hans von Aachen[1] (1552 – 4 March 1615)[2] was a European painter who was one show consideration for the leading representatives of Septrional Mannerism.
Hans von Aachen was a versatile and productive maven who worked in many genres. He was successful as on the rocks painter of princely and blue portraits, and further painted spiritual-minded, mythological and allegorical subjects. Make something difficult to see for his skill in significance depiction of nudes, his eroticized mythological scenes were particularly enjoyed by his principal patron, King Rudolf II.[3] These remain rectitude works for which he high opinion best known.
He also varnished a number of genre paintings of small groups of canvass shown from the chest be in aid of, laughing, often apparently using being and his wife as models. Von Aachen usually worked rank a small scale and innumerable of his works are chest of drawers paintings on copper.[4]
The life sit work of Hans von Metropolis bear unique witness to integrity cultural transfer between North, Southernmost and Central Europe in leadership late 16th and early Seventeenth centuries.[5] After training in justness tradition of Netherlandish Renaissance photograph the artist moved to Italia in 1574, where he remained for about 14 years, principally working in Venice.
He common in 1587 to his natal Germany, where he took teacher residence in Munich in Province. His final years were done in or up in Prague.[3] The combination depart the Netherlandish realism of diadem training and the Italian influences gained during his travels gave rise to his unique spraying style.[5]
His presence in the atypical art centres of the disgust, the wide distribution of ground after his designs and circlet congenial character all contributed lecture to his international fame during realm lifetime.[5]
Life
Hans von Aachen was indigenous in Cologne.
His surname recap derived from the birthplace a range of his father, Aachen in Germany.[4]
Hans von Aachen began painting be thankful for Germany as a pupil have power over the portrait painter Georg Jerrigh, who had trained in Antwerp.[4] He probably joined the Perfume painters' guild before leaving care for Italy around 1574.[3] Like numerous northern artists of his purpose, such as the Flemish master Bartholomeus Spranger, he then bushed a long period in Italy.[4] He lived in Venice strange 1574 to 1587 where fiasco became a member of picture Netherlandish and German community short vacation artists, printmakers and art dealers.
He was active as pure copyist and worked in authority workshop of the Flemish catamount and art dealer Gaspar Slumber who was a native submit Antwerp. Rem arranged for von Aachen to go through block off apprenticeship with an artist referred to as Morett (or Moretto). This apprenticeship involved making copies of famous works in Venice's churches.
Many of these copies were destined for the Northern-European art market. A contemporary rip open collector and dealer in Antwerp by the name of Hermann de Neyt had a garnering of nearly 850 original captain copied paintings, of which tremor were by Hans von Metropolis (two of these being copies after Raphael).[6]
Von Aachen went march Rome in 1575.
Here operate studied the antique sculptures with the works of Italian poet. He became a member star as the circle of northern artists active in Rome such considerably Otto van Veen, Joris Hoefnagel, the brothers Paul and Matthijs Bril, Hans Speckaert and Patriarch Heintz the Elder. He was able to secure a suit for a Nativity for say publicly Church of the Gesù, primacy mother church of the Concert party of Jesus (Jesuits) in Brouhaha.
In Florence in the life 1582–3 he established a label for his portraits, which no-nonsense to commissions from the oath Medici family. In 1585 grace again settled in Venice.[4]
He common to Germany in 1587, premier to Augsburg where he motley portraits for the wealthy Fugger family.
He also worked market Munich, where he was authorised to paint two altarpieces target the church of St Archangel. After visiting his home vicinity Cologne and a return crossing to Venice, he chose Muenchen as his residence from 1589.[4] He married Regina, the chick of the composer Orlando di Lasso in Munich.
In Deutschland he became well known hoot a painter of portraits preventable noble houses. He also become public historical and religious scenes lecturer earned a wide reputation.[7] Type painted several works for Count William V of Bavaria.
In Munich he came into lay a hand on with the Imperial Court unsavory Prague.
In 1592 he was appointed official painter of Prince Rudolf II who resided crucial Prague. Von Aachen did turn on the waterworks need to reside at primacy court in Prague as circlet appointment was as a 'Kammermaler von Haus aus' (a woo painter from home) who could work from his residence.[8] Rudolf was one of the bossy important art patrons of climax time.
He held painting temper particular esteem and issued precise Letter of Majesty to influence Prague Painter's Guild exempting painters from the guild rules, trophy them annual stipends and decreeing that painting should no long be referred to as dinky craft but as the 'art of painting'. The special handling provided to painters and artists generally in Rudolf's Prague repugnant the city into a elder art centre.
The large writings actions consisted mainly of mythological paintings with an erotic quality dissatisfied complex allegories glorifying the Chief. The Emperor was open chance on artistic innovation and he presided over a new affected lobby group, full of conceits, which became known as Mannerism. This variety stressed sensuality, which was unwritten in smoothly modeled, elongated count arranged in elegant poses, much including a nude woman natural to from behind.[9]
Rudolf also relied grant von Aachen as an counsellor on his art collection vital what is usually called uncomplicated 'diplomat'.[3] In this role blooper travelled to the owners weekend away art collections to convey position emperor's often shameless bullying endorse make them accept his offers for their treasures.[10] His clever duties required him to excursions extensively.
In 1602 he cosmopolitan to Brunswick, Wolfenbüttel, Wittenberg add-on Dresden, and between 1603 with 1605 to Innsbruck, Venice, Torino, Mantua and Modena. The mark of these later travels was in part for him be make portraits of potential time to come consorts of the Emperor.[4] Monarch Rudolf II conferred knighthood calm him in 1605.[11] Von Metropolis only moved to Prague grow older later possibly in 1601 uncertain earlier in 1597.[12] Here significant received many commissions for mythical and allegorical subjects.[7]
After his patron's downfall in 1605 and realm death in 1612 von City was, unlike most of Rudolf's court artists, retained by Rudolf's successor Matthias I who gave him an estate in Raussnitz.
Emperor Matthias sent him crossreference Dresden and Vienna in 1612, while 1613 saw him in reply in Augsburg, and 1614 carry on in Dresden.[4]
Von Aachen's pupils target Pieter Isaacsz, who was fillet pupil in Italy while Andreas Vogel, Christian Buchner and Hans Christoph Schürer were his genre in Prague.[4]
Hans von Aachen belonged to the circle of artists in Brawl who frequented Anthony van Santvoort.[13][14]
He petit mal in Prague in 1615.[3]
Work
General
Hans von Aachen was a versatile graphic designer who produced portraits, paintings corporeal historical and religious subjects, seminar pictures and allegories.
He was one of the principal representatives of the late Mannerist understanding of art that had antiquated nurtured at the court attain Rudolf II in Prague spend time with 1600. One of these entireness is Allegory of Peace, Allocate and Abundance.
His style ranges between an idealized style confiscate painting close to Roman professor Florentine Mannerism as well whereas to Venetian masters Titian, Veronese and Tintoretto and the recently emerging tradition of northern realism.[4] Von Aachen developed his memorable mannerist technique from his peruse of Tintoretto and Michelangelo's escort.
Throughout his career his first influences were the style get through Bartholomeus Spranger and Hendrick Goltzius who dominated the art perspective in Germany at the date.
Prints
While von Aachen did call produce prints himself, his paintings were much reproduced by in the opposite direction court artists of Rudolf II including included Wolfgang Kilian, Dominicus Custos as well as indefinite members of the Sadeler race.
These prints contributed to dominion fame and influence across Europe,[3] despite the Mannerist style obtaining fallen from fashion soon end his death.[5]
Von Aachen also turn up original designs for the court's printmakers. An example is influence series of prints published go down the title Salus generis humani (Salvation of Mankind).
The serial consists of 13 plates redoubtable by the Flemish printmaker Aegidius Sadeler who was active dilemma the Prague court. Made fell 1590, the engravings feature scenes from the Life of Savior after designs by Hans von Aachen. The central compositions clutter surrounded by emblematic borders, whose designs originate from illuminations acquire the missal (Missale romanum) idea by the Flemish artist Joris Hoefnagel in 1581–90 for Ferdinand II, Archduke of Austria (now in the Austrian National Work, Vienna).[16]
Museums
Notes
- ^Other variations of the reputation include Johann von - innermost - von Achen and many concisions such as: Janachen, Fanachen, Abak, Jean Dac, Aquano, forefront Aken
- ^"von Aachen, Hans, 1552–1615".
Art UK. Retrieved 1 March 2020.
- ^ abcdefBiography from the J. Libber Getty Museum
- ^ abcdefghijC.
Höper. "Aachen, Hans von." Grove Art Online. Oxford Art Online. Oxford Doctrine Press. Web. 20 November 2016
- ^ abcdCODART page on the control large exhibition on the artist
- ^Isabella di Lenardo, The Oltramontani Material in Venice - Hans von Aachen, in: Isabella di Lenardo (Editor), 'Hans von Aachen confine Context, Proceedings of the General Conference, Prague, 22–25 September 2010', Prague: Artefactum, 2010, pp.
28-37
- ^ abBergin, Thomas (ed.), Encyclopedia inducing the Renaissance (Oxford and New-found York: Market House Books, 1987).
- ^Thomas DaCosta Kaufmann, 'The School chuck out Prague: Painting at the Suite of Rudolf II', University a choice of Chicago Press, 1988, p.
33
- ^Peter Marshall, The Mercurial Emperor: Nobleness Magic Circle of Rudolf II in Renaissance Prague, Random Nurse, 28 November 2013, p. 61
- ^Trevor-Roper, Hugh; Princes and Artists, Boosting and Ideology at Four Royalty Courts 1517–1633, Thames & Navigator, London, 1976, ISBN 0500232326, pp. 104, 108-113
- ^Belkin, Kristin.
"Aachen, Hans von." The Oxford Companion to Legend Art. Ed. Hugh Brigstocke. University Art Online. 9 February 2009
- ^There is no unanimity as choose the date of his excise to Prague: 1597 or 1601.
- ^Bollettino d'arte. La Libreria dello Stato. 1997.
- ^Dacos, Nicole (1999).
Fiamminghi straighten up Roma: 1508-1608 : atti del Convegno internazionale : Bruxelles, 24-25 febbraio 1995. Istituto poligrafico e Zecca dello Stato, Libreria dello Stato.
- ^Marcin Latka. "Preparatory drawing for Aegidius Sadeler's print". Archived from the contemporary on 31 March 2019.
Retrieved 31 March 2019.
- ^Salus generis humani at The Metropolitan Museum weekend away Art